Here but not here. Now but not now. Real but not real.
I am about half way through writing a new full-length play. I may have even found a title. (I keep a list of possible titles that currently runs to eighteen.)
And my new book arrived, Staging the Savage God: The Grotesque in Performance by Ralf E. Remshardt. I read the introduction online and knew I needed to read this book. I hoped... and feared that it would change the way I looked at my work.
Half way through a piece is not the time to change the way I think about my work.
I didn't want to read it until I was done with the first draft of my new work. But what is beach vacation for if you don't read a book?
I took other books.
I didn't read other books.
And I only read about 50 pages of this one. I had to go slow. Nearly every page held something I needed to consider. I marked passages. I dog-eared pages.
But it is not time to digest yet. There is more to learn.
And the new play has me in its thrall. I know when I'm doing good work. I keep looking at it; tweaking what I wrote last week, adding a line, changing a word, even if I'm not adding pages.
And I'm adding pages. Two or three everyday and I can feel the momentum building in me, in the story, in the characters. I can sense how the characters, themes, and plots are and will weave themselves together.
And the new book hasn't changed the way I think about my work... yet. Just reinforced the direction I have been heading in.
*The Swan, Charles Baudelaire
I so appreciate your letting my in on your creative process because it's messy and weird and cumbersome and enervating and inspiring and intriguing and, and, and... What I will say is that after reading this, I feel better about my creative process.
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